Editorial
Max Bill designed this watch in 1961 applying the same logic he used on furniture and typography: remove everything that does not serve the function, then stop. The result is a dial so resolved it has barely needed revision in sixty years. If you want a Bauhaus watch and not just a watch that invokes Bauhaus, this is it.
Max Bill studied at the Bauhaus under Kandinsky and Albers before becoming one of the leading figures of Swiss concrete art and design. His collaboration with Junghans in the early 1960s produced a range of clocks and watches that applied Bauhaus principles directly to timekeeping objects. The Max Bill Automatic entered production in 1961 and has remained in continuous production since, which is a rare distinction.
Junghans updated the movement over the decades but kept the dial architecture essentially intact. The current 38mm reference with the J800.1 caliber is the closest thing to Bill's original intent that you can buy new today.
The J800.1 is a regulated ETA 2824-2, which is a solid workhorse but not a manufacture movement. Buyers expecting something proprietary will be disappointed, though accuracy is generally excellent. The domed acrylic crystal on older references scratches easily and needs periodic polishing.
Straps on earlier examples used a non-standard lug width that limits aftermarket options, so confirm the lug width before buying used. Dial printing on some units has shown minor inconsistency in the ring graduation spacing under close inspection. Prices for new examples have crept up, so the value edge over Nomos has narrowed compared to five years ago.
